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Already brimming with symbols and transformations, the epic fairytale recounted by Strauss and his librettist Hofmannsthal in Die Frau ohne Schatten acquires a further allegorical dimension in Christoph Loy's inventive production for the Salzburg Festival. The central character, the Empress - half-spirit, half-human, and unable to bear children until she finds a shadow - here becomes a young soprano who makes a voyage of personal and professional discovery as she records the opera. A superb cast

The Mariinsky label presents a stunning reading of Strauss' most Wagnerian of operas, Die Frau ohne Schatten. Filmed in the historic Mariinsky Theatre in 2011 and conducted by maestro Valery Gergiev, it stars Russian tenor Avgust Amonov as the Emperor, Mlada Khudoley as the Empress and Olga Savova as the Nurse. This epic production, premiered in 2009, is a collaboration between two British artists, director Jonathan Kent and designer Paul Brown, and has become a regular fixture in the opera comp

The Mariinsky label presents a stunning reading of Strauss' most Wagnerian of operas, Die Frau ohne Schatten. Filmed in the historic Mariinsky Theatre in 2011 and conducted by maestro Valery Gergiev, it stars Russian tenor Avgust Amonov as the Emperor, Mlada Khudoley as the Empress and Olga Savova as the Nurse. This epic production, premiered in 2009, is a collaboration between two British artists, director Jonathan Kent and designer Paul Brown, and has become a regular fixture in the opera comp

Already brimming with symbols and transformations, the epic fairytale recounted by Strauss and his librettist Hofmannsthal in Die Frau ohne Schatten acquires a further allegorical dimension in Christoph Loy's inventive production for the Salzburg Festival. The central character, the Empress - half-spirit, half-human, and unable to bear children until she finds a shadow - here becomes a young soprano who makes a voyage of personal and professional discovery as she records the opera. A superb cast

Die Frau ohne Schatten concerns itself with the mystery of birth and the mystery of death. For composer Richard Strauss, and librettist von Hofmannsthal, influences of Goethe and Mozart's Magic Flute played an important role in the opera's conception. This great work was Sebastian Weigle's admission ticket as Frankfurt Opera Chief Music Director; what could be more appropriate then, than to issue this performance on CD? Strauss specialist Weigle brought established singers and role debutantes to

With Dignity, Tenderheart mirrors his soul, his deep wish for peace in a place that has been shaken by colliding political interests. Dignity and music for peace are his reaction to the unstable situation in Eastern Europe. After his Duo EP, which was the start-up for M=Maximal's series "Musik ohne Worte," he now releases his first album on M=Maximal. Tenderheart already gained the attention of the chill out club scene with various contributions to compilations like Cafe de Paris, This Is Deep a

Special packaging with 20 page booklet. Parallel Landscapes is the first solo full-length album from Swiss artist Steinbrchel on 12k, despite his relationship with the label and appearances on compilations, collaborations (Status, with Frank Bret Schneider (12k1033)) and EP releases (Mit Ohne, (12k2010)). You can say that Steinbrchel was waiting for the right moment to release such an illustrious album that is not only a release of music but of visual art as well. Parallel Landscapes consists

The Lieder ohne Wort by German composer Felix Mendelssohn used to be famous all over the world. There was a time when these 48 pieces, which appeared in eight cahiers between 1833 and 1850, were played, or at least attempted, in every cultured parlor where there stood a piano. Stylistically situated somewhere between Chopin and Schumann, these are short pieces that are too hard to play for everyone except the very gifted amateur, yet not spectacular enough for great concert halls, but they come